Those who survive to graduate become major or minor characters in fairy tales.
HOUSE OF HADES SERIES
Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.Ĭhainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.Įvery four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders… George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Cut to five years previous, in a prequel to the whole series. The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). Not that there aren’t pranks and envelope-pushing quips aplenty. Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment. In this adventure, victories are hard-won and the essence of bravery nuanced, making the journey as satisfying as it is entertaining. The denouement finds the demigods poised for the final battle with Gaea and her minions they have exactly 14 days to save the world.
Though Riordan doesn’t stint on action or laughs (fart jokes abound, and a tart-tongued Calypso is a special treat), readers may find themselves appreciating these moments of contemplation all the more for the depth of characterization they reveal. Meanwhile, on board (and off) the Argo II, Jason, Piper, Leo, Hazel and Frank similarly must come to understand themselves better in order to accomplish the tasks set before them (though not to equal extents). Now Hades’ janitor, Bob, along with a skeletal saber-tooth kitten he names Small Bob, joins Percy and Annabeth on their trek, causing them both to plumb unexpected moral depths. Without lightening his heroes’ miseries in any way, the author provides a helper and necessary mood-lifter in the person of Iapetus/Bob, the Titan whose memory Percy had obliterated with the waters of Lethe in a previous adventure. Riordan is most successful in his evocation of Tartarus and its hellish, monster-infested landscape. Having plunged into Tartarus at the end of the last book, The Mark of Athena (2013), Percy and Annabeth struggle toward the Doors of Death, while their friends hurry to meet them on the other side at the titular House of Hades.
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